Sunday, October 4, 2020

Unseen Terror 2020: Day 4

 



"You know guys, it just dawned on me how weird this film is. Kinda goofy." - Tom Servo


This might not come as a huge surprise to those of you tuning in this early (or at all) to my yearly marathon, but for 2020's iteration of "Unseen Terror," I have made the conscious decision to watch every single entry in the Texas Chainsaw Massacre franchise that has been released as of this month. After sitting through the absolute insanity that is Texas Chainsaw Massacre: The Next Generation (originally released as The Return of the Texas Chainsaw Massacre) though, I think I'm taking a slight detour with tomorrow's entry. I remember sitting through TCM4 (I am not typing out that entire title every time) when I was a teenager and not having strong feelings about it one way or the other. I recall the film not being particularly violent despite having such a striking title and that its cast of characters spent more time fighting with each other than trying to kill other people. I also recall that it had very early roles from Renee Zellweger and Matthew McConaughey before they ever officially became A-listers. It turns out that those recollections were pretty damn accurate and this oddball picture, which has earned a pretty notorious reputation as the "love it or loathe it" entry in the series is just as strange as I remembered.


The fourth film, which seems to acknowledge that the prior three entries all happened in some sort of capacity, centers around two couples out and about during prom night who (naturally) run into Leatherface's unhinged and deranged family after they accidentally collide with another driver on the road. Nothing too out of this world, but I do find it amusing that some platforms where this is streaming (mine was on Plex. Thanks to Jon if he's reading this) state that apparently Leatherface always attacks people on the night of prom. As Mike Stoklasa once said, "are they experts in things that have never, ever happened?" Regardless of that funny little error, it's kind of unfortunate the protagonists of TCM4 are stuck in that perpetual "obnoxious 90s teenager" mode which really wants you to like them, but ends with you breathing a sigh of relief whenever they're dispatched of so you don't have to hear them talk like no human being ever does. Renee Zellweger comes across as probably the most likeable of the bunch, but that's only because her heroic costars are either too stupid to live or just plain badly written. She does make for a pretty darn good final girl though, handling herself well considering everything going on around her (there's apparently a deleted flashback sequence which explains how/why she doesn't break as easily as others have in the past) and showing no hesitation to f*ck up her tormentors whenever the option was available.


We aren't going to spend all of this time talking about the future Oscar winner though. Instead, let's discuss what is easily TCM4's highlight: another....erm, future Oscar winner. Yes, that would be a (then) twenty-five-year-old Matthew McConaughey as the head villain of the picture: the bonkers, self-mutilating, mechanical-leg brace-wielding Vilmer Slaughter. Every damn moment that the famed Texan is on screen is just pure magic. He is comically unhinged and batshit crazy, making even Chop Top from TCM2 look subdued in comparison. There are times where one has to wonder if he was a little TOO into this role, because whenever he has to get close to poor Renee Zellweger he has a very sadistic look on this face which suggests that maybe studying for this part involved partaking in some VERY illegal crimes. His cohorts are equally entertaining: Darla Slaughter (played by the amusing Tonie Perensky) has a very morbid sense of humor, but is far more competent and considerably normal than her family members. Despite his cliched redneck appearance, W.E. Slaughter (portrayed by Joe Stevens of Justified fame) is more well-educated than other evil family members in prior entries (even going so far as to constantly quote famous authors and figures). Unfortunately, I was not the biggest fan of what the film did to poor old Leatherface: he spends a large portion of the film relegated to the background while mostly cowering and screaming. There's an expansion on the idea that the character may be a transvestite or sexually confused (not one in the same by the way!), but it never gets fully explored and just kind of exists to add to the overall weirdness of the picture. There's also a ridiculously stupid revelation which implies that the Sawyer....sorry, Slaughter family has connections to an illuminati-like organization that was responsible for the J.F.K. assassination. It's very, very stupid and again, doesn't really serve much of a purpose save for a scene of pure coincidence in the final five minutes of the film.


Texas Chainsaw Massacre: The Next Generation is oftentimes baffling, kind of sloppy, and not the most well-directed (did I mention that this was directed by Kim Henkel, who co-wrote the original movie?). It is also, however, really damn entertaining during its second half once the family "gets together." Though largely bloodless, the performances from our leads are good enough to warrant giving this a cautionary recommendation and at the very least, it has a TON of personality, which is more than I could say throughout most of the previous film's running time. There's a nifty-looking Blu-ray out there from Scream! Factory for those of you with a "buzz" for something different.



.....and boy am I ashamed of that joke. Sorry.

I'll make it up to y'all with a really obscure kaiju flick soon.

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