Thursday, December 4, 2014

Jingle All The Way 2 (2014) Review

Wow. Just wow. I didn't realize that it has been a little over an entire month since I last updated this blog with a new film review. If my memory hasn't completely faded, then I recall saying that a post-Unseen Terror wrap-up was coming very soon. Searching through my drafts, I did see what was to be, but never came about. So, maybe I'll do something like that with any upcoming free time (it has been fairly hellacious at work).


*looks at the post title* Ah shit, there's a review to do right now though, isn't there?










Divorced dad Larry wants nothing but the best for his eight-year-old daughter Noel. Though he provides her with plenty of free time, fun, and social activities, he just can't compete with her rich, new stepdad Victor. Attempting to think of ways to please the young lady, he secretly peeks at her letter to Santa Claus. In it, he discovers that her utmost desire is this season's hottest toy: an electronic, voice-recording item called The Harrison Bear. When Victor also discovers this request, he sets out to beat the trailer-bound Southerner to the demanded plaything. Over the course of several nights, the two begin a race to Noel's heart, hoping that she will thank one of them for the best Christmas ever.


If it wasn't known to all of my friends who occasionally frequent this page, I reviewed one of WWE Studios' latest attempts at making themselves a more respectable commodity in the rather crowed movie industry. Around that time period, two more straight-to-video releases found their ways to the Redboxes and On-Demand channels of the world in the form of See No Evil 2 and Jingle All The Way 2. For reasons that I am honest-to-god not sure of, I've decided to sit down and watch both within this past week. A review for their horror-themed flick should be coming within the next few days, but for now, and before I head off to see Crowbar and Unearth play in Wilmington, North Carolina tonight, let's get this one out of the way.


There isn't a whole lot that I personally like about 1996's Jingle All The Way, though I can certainly understand as to why it has a fairly decent following among connoisseurs of bad cinema. Much like a good portion of sequels released far after their predecessors' times have passed, the news of a second installment being released in this new decade befuddled me. Sure, Arnold Schwarzenegger has fallen on hard times, and most of his recent projects have bombed critically and financially, but I doubted that he would sink to a level this low. That and he did have an unmistakable presence that kept you watching throughout its ninety two minutes of mediocrity.


To the surprise of abso-fucking-lutely nobody, standup comedian Larry The Cable Guy (whose protagonist is also named Larry) is not Arnold Schwarzenegger. Truth be told, he isn't even Michael Dudikoff. For most of Jingle All The Way 2's running time (it runs only one minute longer than the prior picture), he is playing an even stupider version of his on-stage persona, with traits and pratfalls borrowed from the late Jim Varney. Most of Larry's scenes consist of him getting physically abused by children, the elderly, or by some unseen deity who hates bad jokes and the overuse of the "womp womp"-style of humor. Also unlike Arnold's fourth attempt at a comedic role is his lack of a true rival. Sure, you might be looking at the cast list and see that actor Sinbad is nowhere to be found (when you can say that he of all people has more dignity than this, you know you're in trouble), but professional wrestler Santino Marella is. After all, his own personality on television is that of an exaggerated, goofy Italian stereotype, so maybe he can bring something worthwhile to this treatment of excrement. Well, you are gravely mistaken. He serves as a pseudo-sidekick, and save for a mere bit of foreshadowing in the first ten minutes, only pops in here and there to say something of absolutely no merit or importance. Worst of all is that he isn't even in character when he does enter the fray. The picture's central antagonist is Victor, played by occasional Michael Bay buddy Brian Stepanek. Until the thirty minute mark had passed, I didn't even suspect that he had any nefarious schemes or tricks whatsoever, as they spent a good portion of the first act making our "hero" out to look like an annoying redneck and making Victor look like a struggling, eager-to-please stepfather. Then again, expecting consistency in a film written by the man who brought us Without A Paddle: Nature's Calling and directed by the individual who shat out Chairman Of The Board seemed like something that was utterly, utterly hopeless.


As if this wasn't obvious, there is nothing redeeming about Jingle All The Way 2. The flick barely even appeals to followers of the "Redneck Comedy" group, as it is extremely watered down for family entertainment. It's also too painstakingly boring and derivative of better Christmas-themed films, so mom and pop might actually fall asleep if they insert it into their DVD or Blu-Ray player any time soon. Let's just forget that this even exists, alright? If you're thinking about spending any currency on it, give it to the nearest homeless person that you find. Chances are that he'll spend it on something more productive, buy a sandwich, a beer, or may even have bought the movie as a gift, only to be thrown out on the streets as a result of that decision.



On the plus side, it is infinitely better than Delta Farce.