Showing posts with label Troma. Show all posts
Showing posts with label Troma. Show all posts

Sunday, October 5, 2014

Unseen Terror 2014: Day 5





Tromaville, New Jersey is an antiquated town boasting a population of a mere 15,000 civilians. Its own high school, the aptly named Tromaville High, is conveniently located near a nuclear power plant, which workers are constantly monitoring for any future trouble down the line. One afternoon, a new strain of marijuana, powered by the power plant's radiation, is discovered by the school's drug dealing gang, who decide to start circulating and selling the product to Tromaville High's populace. After young couple Warren and Chrissy partake in smoking a newer "joint," they begin to undergo strange transformations, which could lead to more disastrous consequences over time.


You'll have to forgive me for echoing what I said in my review for Poultrygeist two years prior to today's entry, but I feel that it bears repeating. Troma Entertainment, the independent film company founded in 1974 by Michael Herz and Lloyd Kaufman that still thrives to this day, are just wonderful. They are filthy, sleazy, a little bit mental, and more often than not, sport an incredibly juvenile sense of humor. All of that aside, their main goal is to entertain the audience, especially their primarily rabid fanbase. I've always viewed them as the long lost cousins of "trash" purveyors such as John Waters and the heavy metal band Gwar, and I'd even say that they are the cinematic equivalent to a record and live performance by the latter. Every time that I expose myself to a new Troma movie, I find something worth remembering, and with the lone exception of Bloodsucking Freaks (which I personally found to be a little too off-putting), I always come back either liking or loving the final product. Class of Nuke 'Em High (having a similar title to 1982's Class of 1984 was not a coincidence) doesn't have the same amount of charm as their bigger hits like The Toxic Avenger or the quite underrated Cannibal! The Musical (made by South Park creators Trey Parker and Matt Stone while they were in college), but it does make for a damn good time.


Your first instinct when firing up this picture is to smile. And honestly, who can blame you? Most of Nuke 'Em's cast will convince you that the primary characters from flicks such as Fast Times At Ridgemont High and Porky's were given a lot of acid and drugs undiscovered by mankind. These people then stumbled into this rather small town's mainlands, and figured it was too much work to go back home, thus deciding to stick around and try to fit in. It also takes a minimum of six minutes before our first defenestration scene, and only several seconds more for our first fatality (complete with corpse decomposition). As time goes by, we're allowed time to familiarize ourselves with the different, if not unabashedly cliched cliques on the school grounds, which makes it all the more interesting when things start to go south and the nuclear waste's effects take their toll on our two main protagonists from these various groups. And when I say that things "go south," I mean that the red-colored fluids start flying and bodies warp in ways that they should not.


Speaking of blood and guts, I'll give Troma props for their practical effects. They might look outrageous and over the top, but they're fairly well done considering that they have the furthest thing from high budgets (the amazingly-titled Redneck Zombies was made for a meager ten thousand dollars). The influence on later "gross out" horror movies, specifically Eli Roth's Cabin Fever, can not be denied here. What I wish could be denied was one sequence during the final third of the movie, though it isn't the fault of the feature's filmmakers and/or script writers. The antagonists of Class Of Nuke 'Em High decide to take over Tromaville High School by breaking in and shooting up the place before sending the rest of the students into a panic. I do realize that this was made thirteen years before those horrible events at Columbine High School took place, and that this film is more of a satire than anything (as are a good amount of Troma films), but that doesn't mean it isn't a tad bit on the uncomfortable side of things. Even so, keep this sequence intact and free from the demands of truly whiney people who scream with sincerity "remove this blasphemy!" Don't cave in to peer pressure!


Oh, and those antagonists? They've given themselves the title of "The Cretins," and they are the things that a cosplayer's wet dreams are made of. A wild send up of punk rock and motorcycle gang culture, The Cretins look and act as ridiculous as their name implies, switching from asshole troublemakers to coldhearted villains at the flick of a switch. If I had to pick one specific favorite out of the surprising sizable pack, solely based on looks and personality, it would be Brad Dunker's freakish-looking (even by this group's standards) Gonzo. The man looks certifiably insane, carrying around a giant bone, a mouthguard, and sporting the largest septum piercing you may ever see in your lifetime.


So, this is the part where I'm supposed to say something clever and give my final thoughts. Maybe I'll say that it's an incredibly dumb film that is self-aware of its own flaws, but doesn't seem to care and delights in it? Then again, this company and its own list of releases are nearly critic-proof, and trying to do an honest review on a film like this or Terror Firmer, their take on the "meta" movie, just seems banal. Well, how about this? If you don't have access to streaming services such as Netflix or Amazon Prime, Troma themselves have made Class Of Nuke 'Em High, along with a myriad of other pictures they're distributed throughout the decades, available to stream online for the low, low price of zero dollars! So if I've piqued your interest on this frantic little picture, give it a try right below. You're either going to thank me or scorn me later anyway.








Tomorrow, we're flying into the familiar realm of South Korean horror with Bedevilled!

Monday, October 15, 2012

Unseen Terror 2012: Day 15





One night at an Indian burial ground, Arby and Wendy, high school sweethearts, make a promise that even after they depart for college, they shall always remain faithful to one another. One semester later, Arby returns to find out that not only has the burial ground been replaced by a fast food restaurant, but his girlfriend is a lesbian, and is protesting the chain's existence. He takes a job at the restaurant out of despair, but soon the patrons start acting strange after consuming the product inside, and start returning as zombies, albeit with a more "fowl" edge!


God bless Troma. They're one of the longest standing independent movie promotions and always seem to know what their fanbase wants (violence, more violence, silly humor, nudity, lesbians, and even more violence). Poultrygeist has had a rather long, if not somewhat troubled history. First conceived in 2002, shot and completed in 2006 after numerous rewrites and production problems, and finally released to DVD in 2008, the film's a bit of an oddball, even by their standards.

I forgot that this film was part musical, in addition to the horror-comedy that I've come to expect from Troma. The songs themselves really did seem crowbarred in, and though they're certainly sang well, I didn't find any of them to be particularly memorable. The film also seems to run out of gas a bit towards its conclusion, and even the characters break the 4th wall by admitting that the end is a bit anticlimactic.

That'll do it for the complaints though! As I pointed out above, Troma adores blood and guts. They certainly don't spare any expenses here, and there is one scene in particular that lasts for about five minutes in the restaurant that was just beautiful. Well, beautiful in a very disgusting, macabre, blood-soaked kind of way. It was very reminiscent of the party scene in Peter Jackson's Braindead, at least in terms of how many different ways you can come up with killing fast food fanatics. Like all Troma films of the past, there are also tons of nods to their previous films, but you should be expecting that by now. The film's also got a pretty lowbrow sense of humor, but again, it comes with the territory, and there'll be quite a few times you'll feel guilty (for approximately three seconds) for laughing at certain jokes.

I think the horror world would be a lot more empty and less fun without a company like Troma around. I can understand why they have their fair share of "haters" in the community (though why you'd bash something like this or Terror Firmer and give praise to Thankskilling I have no idea why), but I've always had a soft spot for the sickos. Poultrygeist isn't their strongest title to date, but it certainly is a damn good time. Plus you get to see the classic "Troma car flip" and Lloyd Kaufman wielding an assault rifle while mowing down chicken-zombies. Even if the rest of the film was boring, those alone could make it worth it.


Tomorrow, I see if Stuart Gordon can make me fear part of my job with DOLLS.