Well, I hope everyone had the greatest of times during Halloween. No clever title for this final entry folks. Let's get these last three flicks knocked out while I'm still somewhat awake though.
Writer/director Brian de Palma is definitely no stranger to the marathon, but somehow his rock opera/horror-comedy hybrid Phantom of the Paradise had only been on my radar for about six years or so, as I would often confuse it with other similarly titled pictures or different projects outright. Still, once I took a glimpse at the Blu-Ray from the reliable Shout! Factory (specifically thanks to the managers at Rockville's Barnes & Noble location which I worked at for six years), I officially became determined to track this sucker down at some point while I was still breathing without having to spend an absurd amount of money. Hey, sometimes I'm just a cheapskate folks. *shrugs*
The plot to this oddball of a flick reads like a mixture of Phanom of the Opera and classic German tale Faust, and it follows a young naive singer-songwriter named Winslow (played by the late William Finley of Sisters fame) who is fooled by well-known music producer Swan (Paul Williams) into surrendering his works over to the far more established figure. Framed, jailed, and scarred (both mentally and physically), Winslow dons a new menacing persona that proceeds to terrorize Swan's newly opened concert hall, all the newly masked madman insists that his stolen music be performed by a younger, adored singer (Jessica Harper). The two come to an agreement of sorts but suffice to say things don't turn out how Winslow wants them to. I don't want to get too much further into plot details, because I believe approaching any motion picture as blind as possible is vital to enjoying it as much as you can.
I feel like it's been quite some time since I've been so unapologetically upfront about any flick that I've watched during an "Unseen Terror" marathon, but if there were ever such a thing as an instant buy, Phantom of the Paradise absolutely fits that description. I had such an unbelievably fun time with this, and I'm kicking myself for having slept on it for so bloody long. The cast is all fantastic, with Williams in particular proving why he's such a respected talent in the entertainment industry by not only playing a real arrogant jerk of a villain, but also scoring its undeniably catchy soundtrack. I've yet to explore much of actress Jessica Harper's non-Suspiria film roles (mostly due to laziness), but I had no earthly idea she was also a GREAT singer. Had the whole acting thing not worked out at all, she could have made a killing in the music industry. Finally, there's reliable Gerrit Graham (The Critic, Child's Play 2, TerrorVision) who plays a fabulously flamboyant glam rocker simply known as "Beef." He arguably steals the show every time he's on screen, and his inclusion not only exists to help move the story along, but to also serve as part of another great aspect of Phantom: its subtle takedown of the music industry and its shameless attempt at jumping on board of trends. Hell, look no further than the inclusion of Swan's own pet project known as "The Juicy Fruits," who undergo more than one genre transformation throughout its running time. Now that I think about it, perhaps that's the only minor complaint I have about this eccentric project: I wish it was longer.
I don't have much more to offer when it comes to gushing over Phantom of the Paradise. It's audacious, stylistic, loud, and very colorful. Most of all though, it's fun! This is the kind of movie that I wish Rocky Horror could have been (no disrespect to that crowd though), and it's a shame that people still sleep on it. Go find it however you can (I viewed mine on an on-demand cable TV channel) and just kick back.... for the hell out of it.
........Uh, you'll understand that if you've seen it. Sorry.
Before I type out the review for this bad boy, I'll just preface it by saying that I've only played the first Five Nights at Freddy's video game and while I don't think it's a bad game per se and it certainly has some nice atmosphere, it was a little too reliant on jump scares and too repetitive for my taste. Call me a boomer, but I'm more of a sucker for stuff like Resident Evil or the first-person Alien games. So, I'm approaching this mostly blind and with no great attachment to the source material. After the whole picture had wrapped up and the credits began to roll, I came to the realization that this was very much the definition of "not for me."
If you're unfamiliar with the Five Nights at Freddy's franchise, the core concept (at least in the first game) is that it's a first-person, point-and-click video game where you play a security guard who has taken on an overnight job at a rundown pizzeria. The main problem arises from having to survive each of those evenings while the homicidal animatronic creatures that roam the restaurant during afterhours try to murder you. Some gig huh? To be honest, with how expensive things have been getting as of late, I can't say that I wouldn't try for some sort of similar gig to pay my own bills. I mean, Dollar Tree is now $1.25 tree? Twenty dollars barely gets you half a tank of gas? But I digress.
Off the bat, I could tell that this was likely going to appeal almost exclusively to diehard fans and unlikely to sway casual, unfamiliar viewers over to its side. Plus, it wasn't too long ago that we got the eerily similar Willy's Wonderland with (a mostly silent) Nicolas Cage, which didn't exactly set the world on fire. Unlike that film though, there are a number of more recognizable faces this time around. The movie adaptation focuses primarily on Josh Hutcherson (The Hunger Games), who takes the aforementioned overnight job from a career counselor (Matthew Lillard of Scream and Scooby-Doo fame) to prevent social services from taking away his younger sister and placing her in the hands of her negligent, asshole aunt (Mary Stuart Masterson from Fried Green Tomatoes). Honestly, that's about the best description I can give considering how this is actually a bit messier than I expected it to be, and most of these characters are as interesting as dried milk. Yes, Hutcherson's character is sympathetic, but there are times where I feel like someone should've provided the poor fella with a cup of coffee. Aside from him, everyone just seems to be going through the motions or has very little to work with. I'll always treasure seeing Matthew Lillard on screen, but he's barely present until the very end (taking part in what was one of the silliest twists I've seen in quite some time). Whereas the human presence in the film is lacking, I did appreciate the work that Jim Henson's Creature Shop put into making some very accurate-looking animatronics. It's just too bad that they chose to spend so much of this film's running time on Hutcherson's frequent dream sequences instead, rather than the impressive practical effects. Oh well.
Five Nights at Freddy's is a little too boring and depends far too often on suffocating the viewers with a quick "boo!" gag as much as it can (so I guess it IS game accurate then). It gets to be very tiresome towards the end and I just didn't see anything that would be able to convince someone other than perhaps little kids to make a return to this universe. Then again, kids/preteens are the primary target audience here, and this could be a nice gateway to bigger and more established horror films for some of them (maybe their parents could lend them a VHS player with some fine gems from the 80s/90s for starters). Ultimately my opinion is just that of a small percentage of people who weren't wholly interested in watching this anyway, but I do see the appeal and do hope that it inspires a new generation to seek out some genuinely creepy stuff. As I said several paragraphs ago, it just wasn't my cup of tea, but I hope it makes its fans happy. Currently, it's streaming on Peacock and playing in whatever cinemas are left closest to you.
Ah, but what better way to finish October than with a motion picture where a VHS player is pivotal to its plot? Somehow, I had never seen Japan's highly influential Ring (or Ringu if you're going to be a real weeb) back when I was trying to seek out as many bizarre Japanese horror films as possible. Perhaps it was never available at the Suncoast Video stores I frequented. Perhaps it was because I favored the gorier side of things (a.k.a. the Takashi Miike stuff) rather than the slower, more atmospheric efforts. Regardless, I decided to finally take the plunge and check out Ring on Shudder and though I do wish I could have closed out October with something more in line with Halloween, I feel like this was a damn fine way to conclude this iteration of Unseen Terror.
I feel as though the concept of Ring and/or its American remake The Ring (also good in its own right) is fairly well known, but I'll give a CliffsNotes version anyway: a reporter investigates the mystery behind a supposedly cursed video tape which causes those who view it to die within seven days. The tales of this tape reach our protagonist Reiko, who takes a particular interest to this rumor when she hears of her niece mysteriously passing away after watching it. Teaming with her ex-husband Ryuji, the two dig around to discover its origins and to find out if there's a way to break this purported curse. Though only a mere twenty-five years old, it's still pretty astonishing to see how much of Ring has been lifted or copied by other motion pictures over the decades (for better or worse). Few could hope to reach this level of creepiness though.
There is so much to appreciate here. The film establishes what it is right out of the gate, yet after its initial, shocking opening, it turns into a very slow burn more akin to that of a mystery than an outright horror film (I understand that this is also the case with the book it's based on). It eases you into its bleak universe, which despite being set in the real world, still feels distinctly "alien." Our protagonists are written very well and are quite sympathetic, which adds to the sense of fear whenever you see the flick's "time clock" pop up on screen every now and then. Ring's most impressive aspect is arguably its atmosphere. It looks far dirtier than I expected it to be, and much smaller in scope. When we finally get a glimpse of the film's most notorious...erm, aspect (a.k.a. one of the first images you're likely to see when Googling Ringu), it's no surprise they turned out the way that they are. It's a terribly depressing world, and only adds to the creepy vibe scattered throughout. I also noticed quite a bit of double meaning in its title and dialogue, but that would be giving away some major plot spoilers so I will only address that with people who are indifferent to reveals.
Honestly, what can I say about Ring/Ringu that assorted video essayists haven't already said themselves? It's a tense, slow burn whose impact is still being felt in the horror genre to this day, and I'm hoping that despite its age, it will still garner some new viewers as often as it can. I'm very happy to put one more stamp on my "J-Horror" card that was long overdue, and perhaps I'll finally be able to seek out Ju-On: The Grudge now as well. Ring is streaming on services such as Shudder and Tubi, with a loaded Blu-Ray from Arrow Video out there for purchase as well.
And with that..........we are done. Sort of. Come back in a couple of days or so if you're interested, because I may have some quick notes and extra tidbits about what didn't make the list (and why), what to expect in the future (if anything), and more. Stay spooky.
